08 November 2016

Hacksaw Ridge

Year: 2016
Director: Mel Gibson
Starring: Andrew Garfield, Sam Worthington, Vince Vaughn, Hugo Weaving, and Teresa Palmer
Tagline: When the order came to retreat, one man stayed.
Synopsis: During WWII, Desmond T. Doss was a conscientious objector who earned the Medal of Honor.  He never fired a single bullet.

Review

Hacksaw Ridge is rated R.  It is violent.  Brutally, viscerally, "war is hell" violent.  It is also one of the most powerful and inspiring films I've seen.  I'm glad I saw it.  If you choose not to see it, I completely respect that.  But I hope you'll continue reading to learn more about why the story -- which is a true story -- is so important.  If you do choose to see it, do so first and then come back here (i.e., this whole "review" will be a spoiler).

Pfc. Desmond T. Doss
The film begins by quoting Isaiah 40:28-31 (one of my favorites).  It is a fitting passage for the film and for the film's hero.  Private Desmond T. Doss was a Seventh Day Adventist from Lynchburg, Virginia.  Like many young men his age, he enlisted in the Army in 1942.  Unlike those other young men, Doss refused to bear arms.  Because of his religious beliefs and an incident in his youth, Doss adamantly refused to so much as touch a gun.  He just as adamantly wanted to serve his country: as a medic.  He wanted to save lives, not take them.  As such, he referred to himself not as a conscientious objector, but as a conscientious cooperator.

Whatever his faults may be, Mel Gibson knows how to tell a gripping story.  And it is clear how much respect and admiration he has for Doss.  Gibson is himself a man of religious conviction and he does not shy away from that aspect.  To do so would have been a discredit to Doss.  [A few years ago I reviewed the film Unbroken.  One of my biggest qualms with that film is that the director clearly did not understand Zamperini's religious convictions and thus shied away from religion in the film, much to the story's disservice.]

Hacksaw Ridge embraces Doss's religious convictions.  Those convictions are not belittled; they are held up in admiration.  They are not some superficial quirk; they are the core of this man.  Such portrayal of religious belief is getting more and more unheard of in Hollywood.  (And to be honest, this movie is more Australian made than American made.)  That makes this story all the more powerful and applicable.

The film may embrace Doss's convictions, but his fellow soldiers, training sergeant, and commanding officers certainly did not.  Doss is belittled, berated, beaten, denied furloughs, and threatened with being court-martialed.  Through it all, he remains true to his convictions.  He reads from his Bible.  He prays before bed.  He honors the Sabbath.  He will not hold, let a lone fire, a gun.  He will not seek discharge as "mentally unstable."  He will not retaliate against those abusing him.  And he will not back down from his desire to serve his country and fellow soldiers as a medic.  And so, without a single weapon with which to defend himself, Doss ships out to the Pacific theater of WWII.

If Doss's story ended here, it would be an inspiring story of faith and conviction.  As I've reflected on it, a quote shared by President Thomas S. Monson came to mind: "Dare to be a [Christian]; dare to stand alone.  Dare to have a purpose firm; dare to make it known" ("Dare to Stand Alone," Ensign, November 2011).  Desmond T. Doss was the embodiment of that quote.

But Doss's story didn't end with him staying true and getting through Army training.  His story goes from something inspiring to something amazing, even miraculous.  Because when a man has that much faith, courage, and unflinching loyalty to God, how could the powers of Heaven be restrained?

When I got home from seeing Hacksaw Ridge, one of the first things I did was research.  I wanted to know how close to the facts the film had stayed.  The answer is: remarkably close.  Sure, they took some dramatic license here and there.  But overall, what happens in the film is true to what happened in real life.  In fact, the film actually omits some of Doss's heroics because apparently Gibson felt audiences simply wouldn't believe them.  (If you want to know more, check out historyvshollywood.com.)

Back to the story.

Doss and his infantry division are sent to Okinawa.  The titular "Hacksaw Ridge" is the nickname given to the Maeda Escarpment, a 400-foot cliff face that the soldiers have to scale.  At the top is a battleground strewn with foxholes, caves, underground tunnels, and pretty much every danger known to war at that time.  Things do not go well for the Americans and the Japanese attack and push them backward, inflicting heavy casualties.  The American forces retreat back down the ridge.  The only ones left at the top are the dead, the wounded, the Japanese, and medic Desmond T. Doss.  (By the way, the Japanese actually targeted medics as a way to demoralize the Americans.)

For hours on end, Doss, alone, braves enemy fire to find, treat, and retrieve his wounded comrades.  He carries or drags them back to the cliff's edge where he then lowers them, one by one, on a rope to friendly (and stunned) hands below.  Then Doss goes off in search of another.  His words (his actual words) are: "Please Lord, help me get one more."  That Doss isn't killed is a miracle in and of itself.  He still refuses to take up a gun to defend himself.  Again and again he finds his comrades and lowers them to safety.  Again he goes out searching for more wounded.  He stays at it for about 12 hours, until the danger becomes too great and he has to descend himself.

When asked, Doss estimated he rescued about 50 men that night.  His commanding officers estimated the number closer to 100.  They compromised at 75 for his Medal of Honor citation.

That still isn't the end of Doss's story.  Days later, the final assault to take Hacksaw Ridge takes place and Doss is again in the thick of things as a medic.  During the battle, a hand grenade explodes near Doss, leaving him seriously injured in the legs.  In the film, Doss's fellow soldiers put him on a litter and with their gratitude and encouragement send him off to be treated.  In reality, Doss treated his own injuries and waited hours for men with a stretcher to be able to help transport him.  When he saw another soldier get injured, he had the men lower him.  Doss then proceeded to roll off the stretcher and treat the wounded soldier who was then sent off on the stretcher.  While awaiting the return of help, Doss was struck in the arm by a sniper's bullet.  It was only then that Doss finally touched a gun ... he took a rifle stock and splinted his own broken arm before crawling 300 yards to the aid station.

Again, that Doss survived is a miracle; and he knew it.  According to one website, a Japanese soldier reported having Doss in his sights, only to have his gun jam.  For days, rifle fire and explosions were all around Doss.  Yet he survived, though seriously wounded in the end.

Even as I was watching Hacksaw Ridge I was reminded of the people of Ammon in the Book of Mormon.  On one hand, Doss was reminiscent of the stripling warriors, whose minds were firm, having been taught by their mothers (Doss's mother was a religious woman).  None of them were killed, though all of them were wounded.  But Doss also reminded me of the fathers of those stripling warriors.  Like them, Doss had made a personal commitment to God that he would never take a life.  Because of the people of Ammon's commitment, the Nephites stepped up to protect and preserve them.  Likewise, Doss owed his life firstly to God, but also to his fellow soldiers who defended him from enemy attack.

In addition to saving dozens of lives, Doss's unwavering faith and convictions undoubtedly softened a few hearts along the way.  This is evidenced by two acts: both on the final day of battle.  The first was a delay to the attack.  It was a Saturday, which for Doss (a Seventh Day Adventist) was the Sabbath.  His commanding officers allowed the attack to be delayed so Doss could finish his daily devotions.  The second act came after he was injured and finally made it to medical care.  Doss realized he had lost his Bible on the battlefield -- the Bible his wife had given him before he shipped out, the Bible that had sustained him all those horrific days and nights.  He sent word back to his company.  Those men, some of whom had undoubtedly belittled and berated Doss previously, put themselves in harm's way to find the lost Bible.  They found it (tender mercy) and sent it off to their friend and comrade.

It is customary for films based on true stories to tell the rest of the story prior to the credits.  Hacksaw Ridge does that and then does one better.  It includes a few clips from interviews with both Doss's commanding officer and with Doss himself.  The interviews are from a decade or so ago.  Though brief, the clips are poignant reminders that the film just seen was about real men in real situations.  Desmond T. Doss died at his home in 2006.  He was 87 years old.

As a film, Hacksaw Ridge is simply a well made movie.  It is compelling and honest, gripping and tense.  The cinematography is well done.  The music is fitting and beautiful.  Andrew Garfield does a terrific job as Doss, portraying him as a very real, very human man.  Also outstanding is Hugo Weaving, who portrays Doss' father, who is a WWI veteran struggling with PTSD, alcoholism, and violent survivor's guilt.  Weaving does a remarkable job portraying a man you don't particularly like, but nonetheless sympathize with.

I do wish the film were less violent and grisly, then it would be able to reach a wider audience.  I suppose there is a chance of a re-edited version, or there is always Vid-Angel.  In addition to the violence, there is some language (mostly out of the sergeant's mouth).  There is also a brief shot of a man's bare backside.  The only sexiness is one scene and what you see in the trailer is all there is (and for the record they are married at that point).

Whether or not you see Hacksaw Ridge is completely up to you.  But I hope you now have a better appreciation for Desmond T. Doss, an American hero.  He has become one of my heroes.

Quotable Quotes

  • "I don't know how I'm going to live with myself if I don't stand up for what I believe." -- Desmond Doss
  • "I'd like to think I'm a conscientious cooperator." -- Desmond Doss
  • "Please, Lord, help me get one more." -- Desmond Doss
ISFS

27 October 2016

Queen of Katwe

Year: 2016
Director: Mira Nair
Starring: Madina Nalwanga, David Oyelowo, Lupita Nyong'o, and Martin Kabanza
Tagline: One girl's triumphant path to becoming a chess champion
Synopsis: A girl from a Ugandan slum finds purpose and freedom through chess.

Review

Queen of Katwe is one of those films that, sadly, fell under the radar.  It didn't get much publicity.  Nor did it get a very wide release.  Which is too bad, because it is a beautiful and inspiring film.

If I had to describe the film in one word, it would be "humbling."

When we first meet Phiona, she is illiterate, peddling maize in the streets, and living in the slums with her mother, sister, and two brothers.  Soon she and her brother meet Robert Katenda, an educated man who works for a local mission teaching children chess.  He teaches them to make a plan: in chess and in life.  The grim realities of these children's lives is portrayed with honesty and dignity.  There are no charity cases here.  These are hungry minds (in hungry bodies) that latch onto a game that empowers them.

If I had to describe the film in a second word, it would be "empowering."

Chess, for the "Katwe Pioneers," does become empowering.  And it is beautiful to watch.  The kids are able to compete in a tournament and travel to a school.  In the morning, Robert goes to their dorm room and sees all their cots unslept in.  Instead, the children -- unaccustomed to such luxuries -- are sleeping together on the floor.  They then proceed to beat a number of the city kids.  And it's not just Phiona who wins.  This is her story mainly.  But it is also a journey for other kids as well.

If the film has a flaw, it is that it tries too hard to fit the "sports movie" mold.  Honestly, I find chess boring and the chess scenes are the weakest parts of the film.  There were also a few too many sports cliches thrown in.  The film was best when it was a story about people, not games.

What really elevates the story are the actors.  Lupita Nyong'o is fierce as Phiona's mother.  She is the most interesting character: protective, proud, stubborn, but eager to give her children a better life.  Her scenes with Robert are especially interesting as they both try to do what is best for Phiona.  The children all do a terrific job as well and (I believe) are all newcomers to acting.  They really ground the film in reality.

Which brings me to the best part of the film.  The Queen of Katwe is based on a true story ... a story which occurred only a few years ago (the climax takes place in 2011).  During the credits, each actor is shown and then is joined by their real life counterpart.  Seeing those actual children (now teenagers) and reading about the changes that have come into their lives is sobering, humbling, and empowering.  Because of chess (and people like Robert who believe in them), they have better lives, are gaining educations, and are finding their ways out of the slums.

I don't know how much longer Queen of Katwe will be in theaters.  So if you want to see it, you may have to wait until it is available on video or Netflix.  It is worth watching, not so much for the chess, but for the story of the very real humans -- children -- who play the game to better their lives.

Quotable Quotes

  • "In chess, the small one can become the big one." -- Gloria to Phiona (explaining how a pawn can become a queen in chess)
  • "Sometimes the place you are used to is not the place you belong.  You belong where you believe you belong." -- Robert to Phiona
  • "What matters is when you reset the pieces ... and play again."  Robert to Phiona
  • "Check mate." -- Phiona (repeated)
ISFS

12 October 2016

Storks

Year: 2016
Director: Nicholas Stoller and Doug Sweetland
Starring: Andy Samberg, Katie Crown, Kelsey Grammer, Jennifer Aniston, Ty Burrell, and Anton Starkman
Tagline: Find your flock
Synopsis: Instead of delivering babies, storks now deliver packages.  But when a baby is accidentally created, Junior (a stork) and Tulip (an orphan) must work together to get her to her proper home.

Review

Before the feature film, there was a Lego Ninjago short film.  It was amusing enough, involving a ninja master in an epic battle with a chicken as related by an increasingly flustered narrator.

When I saw the trailers for Storks, I thought it had potential for a few laughs.  But it also looked like it would have elements that would grow old very quickly.  And that's pretty much how the film plays out.  Some things work.  Some things don't.  Some gags made me chuckle.  Other gags made me roll my eyes.

The character Pigeon Toady fell into the latter category.  I was pretty much annoyed whenever he was on screen.  Is he a spoof of something?

The wolf pack, on the other hand, I found rather amusing.  The film is made by Warner Bros., and the wolf pack seems to hearken back to the zany antics of Looney Tunes characters.  Who knew wolves could form their pack into suspension bridges, submarines, and minivans (to name a few)?

Perhaps the funniest moment in the film comes when the baby is asleep and a fight to claim her takes place between Junior/Tulip and a waddle* of penguins.  So as not to wake the baby, they have a silent fight complete with muffled screams.  Again, it is very much in the vein of Bugs, Daffy, and Wile E. Coyote.

[* Yes, "waddle" is the collective noun for penguins on land.]

As for the plot itself, there's not a lot to it.  We mainly follow Junior and Tulip as they try to get the baby to her human family without the rest of the storks finding out, since storks now deliver packages and not babies.  The story goes at a reasonably good clip, but it still felt a bit slow because I didn't particularly like either of the main characters.

The human subplot was much more interesting and I think more relatable.  Nate is a lonely boy with workaholic parents.  So, he does the only logical thing: he writes a letter asking the storks to send him a baby brother (with ninja skills).  This ends up as a catalyst for his parents to start spending time with him and bonding as a family.  By the time they do get their bundle of joy, they are ready as a family to receive her.  (It's a kids movie; that shouldn't be much of a spoiler.)

As middling as the story and characters are, as I've thought about Storks, I've found myself liking it most of all for the message it contained.  (It could have done a lot more with it, but the message was there nonetheless.)  For thousands of years, storks delivered babies.  That was what they did.  Cue the modern day when baby delivery became viewed as being fraught with too many hazards and not enough profitability.  That's when storks decided to get out of the baby business and deliver easier, safer, more profitable packages instead.

As the film progresses, we get a sense that something is missing in the lives of the storks.  Their purpose has been lost.  They've sold their birthright for something easier.  They stopped filling the measure of their creation.  And when the storks again find their purpose, I felt a twinge of emotion, because right there, in the middle of this zany kids movie, is a nugget of truth.  Be who you were born to be, even when it is the more difficult path to follow.

While Storks is far from the best animated film I've seen this summer, it also isn't the worst.  [**cough** Ice Age 5 **cough**]  It has its moments that make it worth a Redbox or Netflix night.

Quotable Quotes

  • "Orphan Tulip?" "Tulip is fine.  'Orphan' hurts my heart." -- Junior and Tulip
  • "Wolf pack submarine!" [The wolves form themselves into a submarine.] "What is happening?" -- Alpha Wolf and Junior
  • "Don't worry.  She's with penguins.  There are whole documentaries about how great they are at baby-sitting." -- Hunter
ISFS

23 August 2016

Kubo and the Two Strings

Year: 2016
Director: Travis Knight
Starring: Art Parkinson, Charlize Theron, Matthew McConaughey, Rooney Mara, and Ralph Fiennes
Tagline: His quest begins.
Synopsis: With dark forces in pursuit, young Kubo -- with the aid of a talking monkey and a human-turned-beetle -- must find his father's armor to protect himself from the Moon King.

Review

I've seen 16 new movies so far this year.  Kubo and the Two Strings is by far the best.  It helps that the movie is about three things that matter dearly to me: stories, music, and family.

First off, let me point out that this movie is stop-motion animation.  There is some CGI blended in.  But for the most part, everything you are seeing was crafted by hand.  Each frame of the film was painstakingly shot with the models moved ever so slightly each time.  When you think about the hours on end that went into creating Kubo, it becomes all the more beautiful.  It is truly a visual feast.

The story of Kubo's quest is in many ways familiar.  This is yet another incarnation of the Hero's Journey.  But it feels fresh and imaginative.  Kubo feels like the most original and creative movie of the year.

The trailers for the film showcase some of the humor in the film.  There is plenty.  Beetle is an especially fun character.  What the trailers don't show is how much heart there is to the film.  Kubo's story is one of loss and sacrifice.  And the film is brave enough to embrace those things.  As fun as the movie is, there is a beautiful melancholy woven throughout.  It's like your favorite sad song that you love to listen to on a rainy day.  Yes it is sad, but there is a hopefulness to it as well.  And, as another of my recent favorite movies (Inside Out) so aptly pointed out, there is benefit to embracing sadness.  Moreover, sadness and joy can work in beautiful harmony.  That is what Kubo and the Two Strings does.

If I had to sum up the film in one word, it would be "transcendent."  In watching it, I found more than an entertaining story told through incredible animation.  I found elements of truth.  Human truth.  Emotional truth.  And even a portion of divine truth.  It's more than a story.  Kubo is a hopeful reminder of the importance of story and the importance of family.

And did I mention that Kubo tells stories using music and magical origami?  Magical origami.

As terrific as Kubo is, it probably isn't for the littlest kiddos.  It is PG because it has some intense stuff going on, both in terms of action and emotion.  While there are many humorous moments throughout the film, it isn't the non-stop gag reel you'd get from Secret Life of Pets or The Minions.

Oh, and stay through at least the first part of the credits to hear a fitting reimagining of the song "While My Guitar Gently Weeps."  (Technically, Kubo's instrument is a Japanese shamisen, not a guitar.)

See Kubo and the Two Strings.  If you want a film with beautiful, handcrafted animation, you will be gratified.  If you want a great story with humor, heart, and action, you will be entertained.  If you are open to something more, you will be uplifted.  I'll be seeing the film again as soon as possible.

*** Kinda Spoiler Section ***

Kubo is so good I don't want to risk spoiling any of the actual details.  But I will note a few thematic things down here.

The climax/ending of the film may be one of the bravest and most honest I've seen in a long while.  It's hard to say it is a "happy" ending.  But it is a good and hopeful ending.  It's the ending the story needs, even if it isn't the ending you necessarily want.  There's something powerful and real to that.  For a film featuring a talking monkey, a humanoid beetle, and an underwater forest of eyeballs, Kubo and the Two Strings has a very real, very human heart to it.

As I've pondered Kubo's final altercation with his grandfather, the Moon King, as well as the aftermath thereof, two things came to mind.  The first relates to Alma 31:15 and the idea that "the word" had "a more powerful effect ... than the sword."  The second thought relates to my favorite verse in the hymnbook: "where justice, love, and mercy meet in harmony" (#195, "How Great the Wisdom and the Love").

As I watched the movie, one thing did perplex me.  Kubo's shamisen has three strings, so why does the title reference two strings?  Why was that the film's title?  The answer is revealed by the end.  Suffice it to say, the title of the film is perfect.

Quotable Quotes

  • "If you must blink, do it now." -- Kubo
  • "I can't feel my wings!"  "Until a few moments ago you didn't know you even had wings." -- Beetle and Monkey
  • "More like the 'Sword Uncomfortable.'" -- Beetle (after having slept on the Sword Unbreakable)
  • "You know I can still hear you?"  "Then play louder." -- Kubo and Monkey (while Monkey and Beetle are having a "grownup" conversation about how to proceed)
ISFS

17 August 2016

Pete's Dragon

Year: 2016
Director: David Lowery
Starring: Bryce Dallas Howard, Oakes Fegley, Robert Redford, Karl Urban, and Elliott
Tagline: Some secrets are too big to keep.
Synopsis: Deep in the woods, an orphaned boy lives with a big, furry dragon.

Review

I've never seen the original movie.  Nor do I have any intention or desire to.  Sorry.  But I'm quite glad I saw this Pete's Dragon.

The easiest way to describe the film are with three "S"s: simple, sweet, and sentimental.  I mean each of those in the nicest way.  Basically, it is a perfect family film.

The story is simple and straightforward.  There are no crazy plot twists or major detours.  The film is about Pete, his dragon (Elliott), and the people they come in contact with.  We learn more about the other people only insofar as it forwards the main story.  Simple is good.  The story never tries to be more than it is.

The world of the story is also simpler.  I've read the story takes place "yesterday."  It's never stated what decade it is.  But there are no smartphones.  Elliott's picture isn't being tweeted or put on Snapchat.  Nobody is Googling "What to do with a dragon."  In addition to taking place "yesterday," it takes place "somewhere."  The town is given a generic name.  It could be a town anywhere.  (Well, anywhere with lots of trees and mountains.  So, not Arizona or Kansas).  Both of those aspects lend nicely to the tone of the story.

It's sort of like a tale your grandpa would tell you before bed.

The story is also sweet and sentimental.  Everyone is ultimately good.  They want to help Pete and look after him.  Even the antagonist isn't a bad guy.  He's just a guy who has his priorities a little skiwampus.  A main theme of the film is the importance of family, whether it be blood family or adoptive family.

The best part of the film (and why I went to see it) is Elliott.  He's big, green, furry, and pretty much the most huggable dragon ever.  It's sweet to see him look after Pete.  He's loyal and fun.  Elliott is kinda like a big dog that also flies and breathes fire.  And the animation for him is terrific.

The movie was filmed in New Zealand, so the scenery is gorgeous.  This does make me wonder though.  Does New Zealand have a dragon problem.  The Hobbit was also filmed in New Zealand.  Are Elliott and Smaug distant cousins?

Sorry.  Nerd tangent.

If you are looking for a good old-fashioned family film, give Pete's Dragon a try.  And stay through at least the first part of the credits to hear the song Lindsey Stirling co-wrote: "Something Wild."

*** Spoiler Section ***

I'm not sure it's possible to spoil this one.  At no point in watching the film do you not know exactly where it is going to go.  It's the kind of film where you know everything will be all right in the end.  And it is.

Quotable Quotes

  • "I know those woods like the back of my hand.  I wouldn't miss a dragon."  "You missed Pete." -- Grace and Meacham
  • "That dragon is mine." -- Gavin
  • "We are in pursuit of a --"  "Dragon!  It's a dragon!"  "You can't say 'dragon' over the radio!" -- Sheriff Dentler and a deputy
ISFS

13 August 2016

The Little Prince

Year: 2015
Director: Mark Osborne
Starring: Mackenzie Foy, Jeff Bridges, Rachel McAdams, Paul Rudd, Marion Cotillard, and James Franco
Tagline: Growing up isn't the problem ... forgetting is.
Synopsis: A little girl in a very grown up world meets her eccentric neighbor, the Aviator, who tells her the tale of the Little Prince.

Review

If I could only describe Antoine de Saint-Exupery's novella The Little Prince in one word it would be "important."  It's an odd little tale and starts out a bit slow.  But with a bit of patience it becomes something beautiful and enlightening.  It is the story of the Little Prince, the Rose he loves, the Fox he tames, and the Aviator he changes.  It is a story about life, love, loss, and matters of consequence.

Right now you may be wondering: "I thought this was a movie review, not a book review.  And why haven't I heard of this movie?"  This is a movie review, but I cannot in this instance separate the two.  As for why you haven't heard of it ... that comes down to Hollywood.  The film is French made (though in English) and did quite well overseas.  But days before its U.S. premiere, the distributor pulled the plug.  Instead, the film has been taken up by Netflix where you can now watch it.  It is also in "limited" theatrical release ... which doesn't include anywhere near here.

If you are familiar with the book, this isn't simply the book on film.  It is more an homage to the book, which is presented in an abridged form, rendered in beautiful stop-motion animation.  Perhaps the simplest description I can give is that this film isn't about the story of The Little Prince.  Rather, it is about why the story of The Little Prince is important.  Once you accept that, I think you'll enjoy the film, which retains the same narrative heart.

The voice talent brought in for the film is terrific.  Marion Cotillard, James Franco, Jeff Bridges, and Ricky Gervais are particularly spot on in their respective rolls.

The animation is beautiful.  There is a terrific contrast between the monochromatic world of the micromanaged Little Girl, the colorful explosion that is the eccentric Aviator's home, and the paper-like stop motion animation for the actual story of the Little Prince.

The music is also quirky and fun.  It is where the French-made aspect most clearly shows.  (That and the fact the little girl's math book is in French).

I'll admit the film isn't perfect.  There were a few missteps here and there.  But a few days later I can't even remember them.  All I remember is how thoughtful and cheerful it made me.

I suppose some sticklers about the book won't like the third act, which you might say creates a sequel to the Little Prince's story.  At that point it has become the Little Girl's story.  That whole third act is her learning to apply the lessons she has learned from the Aviator via the story of the Little Prince.  What happens are her own final chapters to the story.  For me, it works.  It works because the novella itself ends without complete closure and in such a way as to invite the reader to write their own ending.  The film becomes how the Little Girl needs the story to end.

The very best part of the book (for me) is the Fox.  The lessons he teaches are the heart of the story.  The very best part of the film is still the Fox.  In the portion about the Little Prince, he is playful, wise, and beautifully animated.  For the rest of the film, the Fox is a stuffed animal the Little Girl adopts.  For the third act, when we are in the realm of her imagination, the stuffed Fox comes to life.  He's still a stuffed animal though.  He doesn't talk.  He pantomimes.  And he's adorable (especially when dropping a bowling ball).

I am undecided if it is better to read the book first and then watch the movie, or to watch the movie and be inspired to read the book.  That is up to you I suppose.  I heartily recommend both the book and the film.  And I hope that at some point I can watch the film again, only on a giant theater screen.

*** Spoiler Section ***

Nope.  No spoilers.  Just watch it and read it.  Or read it and watch it.

Quotable Quotes

  • "You're going to make a wonderful grownup."  "Thanks, Mom." -- The Mom and the Little Girl
  • "It is only with the heart that one can see rightly; what is essential is invisible to the eye." -- The Fox
  • "How can everything that is essential fit in one book?"  "It's incredibly succint ... and single spaced." -- The Little Girl and the Academy Teacher
ISFS

01 August 2016

Star Trek Beyond

Year: 2016
Director: Justin Lin
Starring: Chris Pine, Zachary Quinto, Karl Urban, Simon Pegg, Zoe Saldana, John Cho, Anton Yelchin, Sofia Boutella, and Idris Elba
Synopsis: Kirk, Spock, and the rest of the crew face off against a new enemy on an unfamiliar planet.

Review

When the first trailer premiered, my initial reaction was "oh no."  I was afraid the new director (Justin Lin) had ruined Star Trek.  Rest assured he did not.  Not at all.  In fact, he delivered a rip-roaring romp that fits neatly into the Star Trek universe.  Star Trek Beyond is a blast.

I will say, compared to the two reboot predecessors, this one isn't as narratively strong.  The comparison to an extended episode of the original series is not unfounded.  And I'm sure if I thought about it long enough and hard enough, I'd find various plot holes.  But as I watched the film, it held together.  And above all, it was a fun trip with beloved characters.

As we've come to expect, Beyond has loads of action, lots of combat, and many explosions.  It's definitely a film that benefits from the theatrical experience.  There are also some impressive set pieces, the most notable being the Yorktown: a space station which is the pride of the Federation (and looks like a gargantuan Perplexus toy).

Beyond retains the humor from the previous films.  Simon Pegg's Scotty is as enjoyable as ever.  For instance, in one scene, Jayla (a new, alien character) grabs her heavy-hitting staff as she approaches unknown trespassers.  Not to be left out, Scotty grabs the only thing he can: a rock.  As enjoyable as Scotty is throughout, it is Bones and Spock that really stand out this time as the two of them are stranded together for an extended period.  Bones' cantankerous cynicism pits well against Spock's (near) emotionless logic (apparently a prominent feature of the original series) and provide ample humor throughout the film.

As a side note, it is also nice to see two men who think completely differently and even disagree on many subjects, yet clearly have a deep and abiding respect for each other.

As villains go, Benedict Cumberbatch as Khan is a tough act to follow.  This time around we have Krall.  He's an ominous villain with brutal tactics.  But I couldn't help but notice his propensity for monologing.  He's constantly monologing to Uhura: explaining his plan, the weapon he's after, and his anti-Federation sentiments.  It works within the film.  But it still made me think of Syndrome from The Incredibles.  Krall is (intentionally or not) a timely villain.  His ideology is that peace and unity breed weakness.  Thus to him, the galaxy needs war to foster strength.  Of course in the end it is unity that wins the day.

Unlike its reboot predecessors, Beyond is happily scandalous free.  No romantic adventures on the part of Kirk.  And no gratuitous female-changing-clothes shots.  Thank you, Director Lin.

If you haven't already, go see Star Trek Beyond.  It really is a rip-roaring summer blockbuster that entertains from start to finish.

*** Spoiler Section ***

I thought it very appropriate that the final scene of the movie is a birthday party for Kirk.  Why?  Because I saw the movie on my own birthday.

As a musician, I love that it is music that ultimately saves the day by throwing off the alien swarm's ability to communicate.  I would have picked different music.  But I enjoyed it nonetheless.

As for the twist -- the reveal that Krall was once Balthazar Edison, captain of the USS Franklin -- it worked for me.  I didn't see it coming, yet it made sense based on what had been previously revealed. Plus it played into Kirk's personal struggles with feeling lost and without purpose.

Quotable Quotes

  • "Fascinating."  "Ominous.  Dark.  Dangerous." -- Spock and Bones describing the same cavern
  • "You gave your girlfriend a tracking device?"  "... That was not the intention." -- Bones and Spock
  • "This is where the frontier pushes back!" -- Krall
  • "More or less" -- Kirk and Spock
ISFS