18 October 2018

First Man

Year: 2018
Director: Damien Chazelle
Starring: Ryan Gosling, Claire Foy, Jason Clarke, Kyle Chandler, Corey Stoll, and Ciaran Hinds
Tagline: One giant leap into the unknown
Synopsis: A look at the life of Neil Armstrong as he goes from test pilot to the first man on the Moon.

Review

From my elementary school days, I knew the name Neil Armstrong.  And I knew he was the first man to walk on the Moon.  I also knew he safely returned from the Moon.  So when I say that First Man kept me on the edge of my seat wondering what was going to happen next, it's a pretty high compliment to the filmmakers.

Watching this film is probably as close to being an astronaut as I'll ever get.  And I'm OK with that.  The filmmakers opted for many tight shots and perspective shots.  At times, you feel you are seeing what Neil and the other astronauts would have seen -- and only what they would have seen.  We first see the Moon, for example, only through a small window.  The visuals are amazing, but they can also feel claustrophobic and dizzying at times.  Being an astronaut involves a lot of spinning, it would seem.  If you get motion sick easily, be warned.

The visual highlights of the film are, rightly, the Apollo 11 launch and the Eagle landing on the Moon.  The filmmakers clearly pulled out all the stops to make those scenes as visual and visceral as possible.  As close as they could, they make it feel like you are there.  I'll never know what it was like to watch the actual Apollo mission on live television.  This will have to do.  And it delivers.

As the story unfolded, I realized how little I actually knew/remembered about the Gemini and Apollo space programs.  I only remember a little from my history classes.  I vaguely recalled that there were serious setbacks and that astronauts lost their lives.  But it wasn't as real to me.  First Man does a beautiful job putting some of those things in perspective.  While Neil is the focus of the film, we see him interact with friends in the program.  And, with him, we feel loss when tragedies happen.  The cost of the space program has never been more real to me.

There's a powerful scene just before the Apollo 11 launch that has the head of the manned space program reading through a prepared contingency statement ... just in case Neil and Buzz don't make it back from the Moon.  I've always taken it for granted that they went to the Moon and came back.  It's sobering to realize it wasn't that certain.

Although there is much about NASA, the other astronauts, and the space race to the Moon in First Man, ultimately, those take a backseat to the personal story of Neil Armstrong.  This is less a story about how we got to the Moon, and more a story about Neil's physical and emotional journey during those years.  As one critic I read noted, Neil and his wife Janet are the only well-rounded characters in the film.  The others are intentionally rather flat, because this is Neil's and Janet's story.  Ryan Gosling and Claire Foy do an amazing job telling that story.

First Man isn't a romanticized view of Neil Armstrong the hero.  Rather it's an intimate view of Neil Armstrong the human, the father, the husband, the friend, and also the astronaut.  It could be argued that the film is as much about coping with the loss of a child as it is about landing on the Moon.  And I believe the story is better for that.

I also quite enjoyed the film's soundtrack.  There were some fitting 60s songs thrown in.  But it was mostly the score I enjoyed.  The filmmakers use less-common instruments, like a theremin, to give the music a unique sound.  And the music for the Apollo launch and Moon landing are sufficiently epic.

First Man is rated PG-13.  There is no violence or sexuality in the film.  But there are off screen deaths, heavy themes, and one F-bomb (shouted by a character at their absolute breaking point).  I don't recall much (if any) other language.

I quite enjoyed First Man.  It's a thoughtful look at the personal life of a man most of us only know from history books and video clips.  It was also a very real look on what the Gemini and Apollo astronauts went through.  If you are interested in space or in biopics, I recommend First Man.  But if you are prone to motion sickness, maybe wait to see it on a smaller screen.

*** Spoiler Section ***

When asked at the final pre-flight press conference, Neil declines to answer what personal item(s) he'll be taking to the moon.  I was pretty sure I knew what the movie would portray.  And I was not disappointed.  It was a fitting emotional climax to the movie.  Neil made it to the moon, and he came to terms with his daughter's death.

Apparently the film raised some controversy because it doesn't depict the iconic moment when Neil and Buzz plant the American flag on the Moon's surface.  The flag is shown in subsequent shots, but the moment isn't a focal point.  Some felt that made the film somehow "un-American."  I disagree.  But more to the point, the film isn't about NASA or the U.S. landing on the Moon.  It's about Neil.  It's about his journey, physically and emotionally.  His moment with Karen's bracelet is the emotional climax the film needed.  Making a big to do about planting the flag would have detracted from that moment.  First Man is about an American triumph, but not about American exceptionalism.

Lastly, I loved the final scene of the movie: where Neil is in quarantine and Janet comes to visit.  I kept wondering what on earth they could possibly say to each other in that moment.  What could they say that wouldn't be cheesy or corny or saccharine-filled?  The filmmakers must have wondered that too, and came up with the perfect moment.  Neil and Janet say nothing.  At least nothing with words.  It works so well.

Quotable Quotes

  • [Draws the Earth and the Moon on two blackboards] "That's to scale." [Having done the math, a young scientist comes in and moves the moon over a few inches.]  "It was almost to scale." -- Deke Slayton
  • "Your father's going to the moon."  "Oh.  Can I go outside and play?" -- Janet and Mark Armstrong
  • "Houston, this is Tranquility Base.  The Eagle has landed." -- Neil Armstrong
  • "That's one small step for man, one giant leap for mankind." -- Neil Armstrong

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01 October 2018

Smallfoot

Year: 2018
Director: Karey Kirkpatrick and Jason Reisig
Starring: Channing Tatum, Zendaya, James Corden, Common, LeBron James, and Danny DeVito
Tagline: Not every legend is a tall tale.
Synopsis: After he is banished from the yeti village, Migo sets out to prove that the mythical "smallfoot" (i.e., humans) exist.

Review

It's not often that I have such mixed feelings about a movie.  But they are certainly mixed for Smallfoot.  Let's start with the good stuff.

Going into the movie, I had no idea it was a musical.  That was not part of the trailers I'd seen.  And yet suddenly Channing Tatum's yeti, Migo, starts singing about a perfect day.  Surprisingly, Channing Tatum has a pretty good voice.  There aren't a lot of songs on the soundtrack, but they were all better than I would have expected from a film that didn't label itself a musical.  The best of the bunch (which should definitely receive an Oscar nod) is "Wonderful Life," sung by Zendaya's yeti, Meechee.  For me, that sequence was the highlight of the film.

The story is clever and overall well told.  It is fairly predictable, but has its fun moments.  Reversing the "bigfoot" myth is fun.  And the film certainly tries to have some big ideas and depth to it.

Smallfoot is also pretty funny.  There were some excellent moments that had a Looney Tunes type feel (think poor Wile E. Coyote).  And I quite enjoyed the "gibberish" that the yetis perceived the humans as speaking (whereas the humans perceive only growls from the yetis).  There were quite a few times where I chuckled during the movie.  And there were moments when kids in the theater were laughing out loud.

While there's nothing outstanding about the animation, it is bright and colorful and certainly never detracts from the story.

As for the characters, they are all likable enough (well, except Fleem, who is supposed to be annoying ... I think).  But they are also rather bland.  None of the characters were particularly memorable.  They were just stock characters who happened to be yetis.  The character I liked best was actually Percy, the human.  He had enough substance to him and even got a decent little character arc.

So, why the mixed feelings?  That has to do with the film's theme and message, which is a double-edged sword.  On the one side, the story is about being curious, asking questions, and seeking truth.  All of which are good.  On the other side, however, the film has a decidedly anti-religious bias to it.  The start of the film makes that especially clear as it talks about "laws written on stones" and "creation stories."  The film seems to equate religion with blind faith and obedience, which is what the yetis live with at the start.

But religion and questions are not diametrically opposed, as the film strongly suggests.  Seeking truth and having faith can go hand in hand.  Indeed, my own religion was founded because a young man (Joseph Smith) had questions and sought for the truth.  And the truth he found changed the way millions the world over see the world and the purpose of life.  And the Book of Mormon -- which he translated -- doesn't tell people to blindly follow arbitrary rules.  It specifically directs readers to ask and know for themselves.  True religion is not about protecting people from the truth or the harsh realities of life.  And while commandments and religious rules/laws are there for our protection, it is not in the way the film portrays.

That said, I'm not saying the film is bad.  I don't know how overt that anti-religion message was meant to be.  I think it detracts from the story, but doesn't ruin it.  Rather, it invites discussion.  I'm not a parent, but it seems like this is a film that it is fine for children to see, so long as it is with their parents who then are willing to have a discussion about the subject matter.  And I figure that's a good thing, because kids are going to be exposed to these ideas anyway.  That's just the secular world we live in.

If you need a family film to see before the holiday season kicks in, you could do far worse than Smallfoot.  It's colorful, has good music, and mostly has a good message.  It can certainly lead to some family discussions.

*** Spoiler Section ***

How come the yeti don't seem to have noses?  And how does their machine produce that much of a cloud cover?  Also, what's up with the screaming goat?

Quotable Quotes

  • "A life that's full of wonder is a wonderful life." -- Meechee
  • "You want to save a species on the verge of extinction?  Save me!" -- Percy to Brenda
  • "Am I missing a tooth?" -- Percy

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